2.6 / December 2006; 12 years ago ( 2006-12), () Website InterActual Player, known originally as PC Friendly, was a for and, included on some with movie files. In addition to providing DVD playback control it makes available extra material on some DVDs, including commentaries, pop-up notes, synchronized screenplays and games. It requires existing DVD player software, which it embeds in the interface for playing the actual DVDs. Details [ ] InterActual Player software automatically displays an installation dialog when a user inserts a DVD containing it into the DVD-ROM Drive. If the user chooses to install InterActual Player it becomes the default DVD player and creates a shortcut on the desktop and a link to the InterActual website. It also asks the user to supply information voluntarily and allow usage data to be sent over the Internet.

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InterActual Player can also be accessed by the internet. As of January 2017, the service has been permanently shut down. References [ ].

Contents • • • • • • History [ ] In the mid-20th century, a codec was a device that coded analog signals into digital form using (PCM). Later, the name was also applied to software for converting between digital signal formats, including functions. An converts analog audio signals into digital signals for transmission or encodes them for storage.

A receiving device converts the digital signals back to analog form using an audio decoder for playback. An example of this are the codecs used in the sound cards of personal computers.

A accomplishes the same task for video signals. Compression [ ] In addition to encoding a signal, a codec may also compress the data to reduce transmission bandwidth or storage space. Compression codecs are classified primarily into lossy codecs and lossless codecs. Codecs are often used for archiving data in a compressed form while retaining all information present in the original stream. If preserving the original quality of the stream is more important than eliminating the correspondingly larger data sizes, lossless codecs are preferred. This is especially true if the data is to undergo further processing (for example ) in which case the repeated application of processing (encoding and decoding) on lossy codecs will degrade the quality of the resulting data such that it is no longer identifiable (visually, audibly or both).

Using more than one codec or encoding scheme successively can also degrade quality significantly. Filvordi dlya pechati a4. The decreasing cost of storage capacity and network bandwidth has a tendency to reduce the need for lossy codecs for some media.

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Many popular codecs are. They reduce quality in order to maximize compression. Often, this type of compression is virtually indistinguishable from the original uncompressed sound or images, depending on the codec and the settings used.

Smaller data sets ease the strain on relatively expensive storage sub-systems such as and, as well as formats such as,. Lower data rates also reduce cost and improve performance when the data is transmitted.

Media codecs [ ] Two principal techniques are used in codecs,. Codecs are often designed to emphasize certain aspects of the media to be encoded. For example, a digital video (using a codec) of a sports event needs to encode motion well but not necessarily exact colors, while a video of an art exhibit needs to encode color and surface texture well. Audio codecs for cell phones need to have very low between source encoding and playback. In contrast, audio codecs for recording or broadcast can use high-latency techniques to achieve higher fidelity at a lower bit-rate.

There are thousands of audio and video codecs, ranging in cost from free to hundreds of dollars or more. This variety of codecs can create compatibility and obsolescence issues. The impact is lessened for older formats, for which free or nearly-free codecs have existed for a long time. The older formats are often ill-suited to modern applications, however, such as playback in small portable devices. For example, raw uncompressed (44.1 kHz, 16 bit stereo, as represented on an audio CD or in a.wav or.aiff file) has long been a standard across multiple platforms, but its transmission over networks is slow and expensive compared with more modern compressed formats, such as. Many data streams contain both and, and often some metadata that permit synchronization of audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data streams to be useful in stored or transmitted form, they must be encapsulated together in a.